These are by Paul Jacoulet (1896-1960).  A group of five woodcuts in colours, each signed Paul Jacoulet in pencil, stamped and individually numbered.

Image: 39 x 30cm

Framed size as seen: 53cm x 43cm

Nicholas Hely Hutchinson

Limited Edition Lithographs, signed in pencil by artist

Dimension in Hand gilded frames: 68cm x 86cm

Ferns

Each Fern has been carefully kept from Darjeeling, India created in 1887 by John Taylor for 'Mrs Roberts' in handcrafted frame with inner gilding.

Bryan Organ b. 1935

Oil on canvas signed lower left.

Dimensions: 80cm x 77cm

Bryan Organ (born 31 August 1935 in Leicester) is a British artist considered one of the leading and most innovative English portrait painters of the 20th century. His paintings have included portraits of prominent public figures and of members of the British royal family. Organ is also known for landscape paintings, such as St Pancras Station (Leicester New Walk Museum and Art Gallery), and lithographic studies of animals (Tate). London's National Portrait Gallery holds a total of sixteen of his portraits of which six were commissioned by the Gallery's Trustees.

Organ studied at Loughborough College of Art and the Royal Academy Schools (1952–59), before returning to teach at Loughborough College of Art (1959–66). In 1967, Organ left the college and to continue painting as a full-time career. His first solo exhibition was at Leicester City Art Gallery (1958) when still a student. He has been represented by The Redfern Gallery since 1967.

Bryan Organ was famous for his portraits including those of: Harold Macmillan, Francois Mitterrand, Elton John, Sir David Attenborough, King Charles II, Diana Princes of Wales - this is the only official portrait of her! And Princess Margaret

‘Faunes et Flore D’Antibes’ published in Paris, 1960 pochoir* on watermarked Arches paper.  Executed by Daniel Jacomet in close collusion with Picasso.  The original works were created by Picasso in 1946 and are part of his ‘joie de vivre’ series of paintings.  This is a complete folio numbered 1. of a limited edition of 300 which makes them very special and collectable.  

*Pochoir: Pochoir is a French word for stencil.  This is a highly evolved and refined technique for applying water colour, gouache and other mediums through a series of stencils.  Jacomet was considered one of the great masters of this technique.

Constance H. Bradshaw 1898-1961

A rural English landscape

Oil on Board signed lower right.

Bradshaw was an English artist, studied at the Spenlove school of art in London. Her main medium was oils and preferred painting still life and landscapes.

Between 1924 and 1945 Bradshaw was a regular exhibitor at the Royal Academy, London. She also exhibited in the New English Art Club and the Paris Salon. Throughout her career she was a very active member in the Society of Women Artists and served as the society's president alongside Laura Knight. She was elected a member of the Royal Society of British Artists in 1920 and the Royal Institute of Oil painters in 1933 and later a member of the St Ives Society of Artists which still holds some of her works.

Paul Maze

      Oil on Canvas, signed lower right

      Dimensions: 66 x 76cm

      Price: £6000

About Paul Maze 'The last of the Post Impressionists' 1887 - 1979

Paul Lucien Maze (1887 - 1979).  An Anglo French painter, often known as ‘The last of the Post Impressionists’.  Maze was known for his quintessentially English themes.  During the war he met Churchill and their shared love of painting led to a lifelong friendship.  Maze became Churchill’s artistic mentor, encouraging him to develop his drawing and painting techniques.

Maze served in the First World War and it was here when he met Winston Churchill in the trenches and their shared love of painting led to a lifelong friendship, Maze becoming Churchills artistic mentor encouraging him to develop his drawing and painting techniques. During the war Maze would venture to advanced positions, often beyond the British trenches to produce accurate drawings of enemy positions.  As a result of this dangerous work Maze was unfortunately wounded three times in four years and awarded the distinguished Conduct Medal and Military Medal by the British.  He later wrote a book 'Frenchman in Khaki' which details his experiences in action and contains a foreword written by his friend Winston Churchill.

It was after WWI that Maze then immersed himself into the Parisian Art Scene his friends included Vuillard, Pierre Bonnard who had a huge impact on Maze  encouraging his use of pastels which later became his favourite medium, it was his talent with pastels which brought him global recognition.

1921 Maze and his wife moved to London where he exhibited in many major art galleries in London, America and Paris.  It was in 1939 that Maze had his first New York exhibition and in the foreword of the catalogue, Winston Churchill wrote:

"His great Knowledge of painting and draughtsmanship have enabled him to perfect this remarkable gift.  With the fewest of strokes, he can create and impression at once true and beautiful.  Here is no toiling seeker after preconceived effects, but a vivid and powerful interpreter to us of the forces and harmony of nature'"

Maze served with the British Home Guard during WWII  and then as a personal Staff Officer to Sir Arthur Harris.  Maze competed in the art competitions at the 1948 Summer Olympics but did not win a medal.  Later on in life Maze settled in Treyford, West Sussex and it was there in rural West Sussex that he concentrated on painting pastoral Landscapes scenes.

1952 Maze held his first one man exhibition at the Wildenstein Gallery in New York and that same year he went on to record the funeral of His Majesty King George VI.  He was subsequently selected as the official painter of Queen Elizabeth II's Coronation the following year.

Hi died at the age of 92 with a pastel in his hand, overlooking his beloved South Downs in West Sussex in 1979.  In a 1989 speech by Churchills daughter, she said " Maze was a painting companion.  The 'Cher Maitre' as we all came to call this charming man, remained a regular visitior to Chartwell for many years.

Maze's art is often characterized by his ability to capture the fleeting moments of nature and the play of light, his focus on capturing the atmosphere and mood of the scene which he does so brilliantly in this Boat scene.

Katherine Church (1910-1999)

Kown to her friends as Kitty, was born in Highgate, London. Her father was killed in WWI and her mother was a socialite so Katherine was brought up with Bloomsbury connections and friends. At the age of 18 Kathering went to Brighton School of Art, then the Royal Academy schools and later to The Slade. It was at The Slade that she flourished working with some of the great names including tutors such as Steer and Tonks, However, her biggest influence among her circle was Ivon Hitchens, Hitchens taught her not to be intimidated by huge skies and subjects or to be afraid of colour. His words had a lasting impact on her style and painting. Katherine went on to exhibit regularly at The Royal Academy, The LeFevre Gallery and The Tate Gallery.

Later she married writer Anthony West and in 1966 they moved to Dorset with their daughter. It was here when she met and did some of her most prolific work, she would hold an open house for her artist friends such as Mary Fedden, John Piper and Victor Pasmore.

Katherines flowers were described in 1996 by The Illustrator Magazine as:

‘infused by a feeling for structure…she paints a flower she almost endows it with a skeleton foliage and blooms are broken down into forms with bold decisive marks which search out the true character of the plant without being let astray by its prettiness’

Dimensions Framed: 61cm x 72cm

Signed by artist, oil on canvas

‘Mother and Cub’ by Leonard Pearman

Oil on canvas

Framed in a venner frame with gilded detail: 108cm x 88cm

A magnificent painting of a Polar Bear and cub in its natural environment, the vast and dramatic wilderness of the Arctic. Pearman was known for his realistic depictions of wildlife in their natural environments in Africa and the Arctic.

Pearman was British and was an instructor and pilot in the Royal Air Force during WWII. His plane was shot down and he spent 3 years in the infamous POW camp in Germany ‘Stalag Luft’ which was later immortalised in ‘The Great Escape’. After the war he studied at Malboroug School of Art and then dedicted his life to art and specifically this genre. He exhibited regularly at The Royal Society of Portrait Painters and the Society of Wildlife Artists.

Jospeh Oppenheimer 1876-1966

A child prodigy, already a respected portrait painter by the age of 20. At 13 yrs of age he sketched Chancellor Bismark which was highly acclaimed at the time. Oppenheimer studied in Munich and Rome, as a Jew he fled Germany and came to London where he had a studio in the Pheasantry on the Kings Road, London. He was a frequent exhibitor at The Royal Academy and was friends of Whistler and Sargent often being found in the Chelsea Arts Club. His portraits included those of Chancellor Bismark, Albert Einstein, Harold Macmillan and many more.

This Still Life is typical of his style which developed from academic realism to ‘vibrating’ Impressionism.

Framed Dimensions: 70cm x 80 cm

Oil on Canvas

Signed and dated 1960 bottom right

A Set of 4 Original watercolours by Lucinda Oakes.

Currently unframed but can be framed by us at RAMSAY.

Etienne Drian 1890-1965

Flamenco Dancers

Drian, an Artist and fashion illustrator active in France during the 1920’s and 30’s. During this time Paris was fascinated with Jazz which was new exciting and fresh from America. Drian perfectly elongated the forms of his chic female sitters and exemplified the sophisticated and refined fashions of the era!

Dimensions framed: 76cm x 90cm

Orignial Watercolours by S. Bender 2024

Unframed dimensions: 52cm x 65cm

Engraving of New York View published 1855

‘View of Park Place from Broadway to Church Street’

Dimensions: 98cm x 75cm

Published New York 1855

Paul Maze 1887-1979

French Rural Scene

Patel, signed lower right

Dimensions Framed: 75cm x 95cm

Paul Lucien Maze (1887-1979)

Born in France but educated in England, attach to the Royal Scots Greys in WWI and served Britain in WWII. In face nearly all of his paintings including this one typified all things British.

He was appointed official painter of Queen Elizabeth II coronation and was famously known as ‘the last of the post impressionists’.

Norman Lloyd 1895 - 1983

An Australian painter in 1930 he migrated to London to St Johns Wood. He established himself in London as well as hosting parties, his house became a meeting point for Australian expats but also London creatives including pianist Nancy Weir and war correspondent Harold Fyffe.

He was elected as a member for Royal Institute of Oil Painters in 1936 and became a member of The London Sketch Club over which he provided from 1941-1942.

His style evokes impressionism, he was known for painting fast having a love for textural oils and pastels as seen here!

Loyds work is now shown in the Art Gallery of Western Australia, Queensland Art Gallery and numbers private collections in Australia, Europe and US.

Dimensions Unframed: 71cm x 60cm

Norman Lloyd 1895-1983

An Australian painter who studied in France and Italy before making London his home.

Exhibited 10 works at the Royal Academy and was a member of the Savage Club and London Sketch Club.

Unframed oil on canvas, signed by artist lower right.

Dimensions: 71cm x 59cm

Paul Maze 1887 - 1979

Often known as ‘The Last of the Post Impressionists’

Pastel, signed lower right

Framed with mount Dimensions: 52cm x 43cm

Norman Llyod (1897 -1983

Oil on canvas, signed by artist bottom right

Framed size: 78cm x 67cm

Henri Matisse 1869 - 1954

‘Poesies Antillaises’ 1972

These are an homage to Matisse’s great friend a famous poet John Antoine Nau. They both shared a love for Martinique, Matisse created these portraits of Martinquaise women to complement his favourite poems by Nau in ‘Poesies Antillaises’

Framed by Ramsay in a hand gilded frame with mount.

Lithographs printed in Bistre Ink

Joan Miro

‘Le Marteau sans Maitre’ 1976

Complete folio Number 9 of 25 HC proofs. Signed and numbered in pencil.

Etching and aquatints in colours

Framed: By Ramsay hand gilded with black painted inner

Dimensions: 47cm height x 41cm width

Joan Miro 1893-1983 a Catalan artist.

As seen in this series his artworks were innovative, experimental and playful informing and inspiring the work of his Surrealist contemporaries, Alexander Calder, Salvador Dali to name a few.

Miro’s family urged him to have a career in finance so from the age of 14 he studied business and later became an accounting clerk. Unsurprisingly he did not enjoy it at all and after suffering a break down and rather harsh spell of typhoid he closed the book on his accounting life. In 1912 he officially started his artistic career enrolling in Gali’s Escola d’Art, Barcelona.

He was given his first solo show in 1918 in Barcelona, it was a disaster, nothing sold and critics and the public panned it later forcing him to leave Barcelona for Paris in 1920. In Paris Miro ignored the critics and in 1925 sold what he believed to be his first masterpiece ‘The Farm’ to writer Ernest Hemingway. It celebrated his Catalan heritage.

Known to have said ‘I want to assassinate painting’ from 1925 Miro experimented with different materials and mediums and found a particular dislike for Cubism. From 1944 Miro was experimenting with ceramics, sculptures, murals, lithography, etching and printing. He kept experimenting, pushing boundaries and in 1974 he was commissioned to create an enormous tapestry for the lobby of the S.Terminal of the World Trade Centre in New York.

It was after WWII that Miro’s fame went stratospheric, cementing his status as one of the most important and influential artists of the 20th Century. He created a ceramic mural for UNESCO building in Paris and was later awarded The Guggenheim International Award in 1958. Also awarded the Grand Prize for Graphic work at The Venice Biennale in 1954.

Miro was and still is immensely important in the development of abstract expressionism having an enormous influence on Mark Rothko, Jackson Pollock, Arshile Gorky and many many more artists we see today.

In 2012 a Miro ‘ Etoile Bleue’ sold for more than £23.5 million setting a new record for Miro.

Miro worked until he was 90 and was married to his wife Juncosa for 50 of those years having one daughter Maria. Surprisingly his personality was very much the opposite of his work as was his dress sense - he would always be seen in a dark almost black business suit and his life was full of discipline and order.

Paul Colin

Set of 12 ‘Le Tumulte Noir’ 1927. He became known as the most celebrated Art Deco poster designers of the jazz age.

His subject was his great friend Josephine Baker who took Paris by storm in 1925

Colin captured Baker and the spirit and wild dance, the Charleston (newly imported from USA) and the rythms of a new art form called Jazz

Lithographs

Framed Dimensions: 53cm x 38cm

John Wheatley 1892-1955

Still Life

Oil on board

Signed by artist and dated 1920 Lower right.

Dimensions unframed: 41cm x 30cm

An important British painter, art teacher and Museum Director who also served in both WWI and WWII. He first studied under Stanhope Forbes and Walter Sickert and then went on as a pupil at The Slade School of Art. Later he found himself teaching at the Slade and it was then that he met his painter/sculpter wife Edith Grace Wheatley. They married and then moved to S. Africa where he held appointments as Director at The National Gallery of S. Africa and later Director of Sheffield City Art Galleries to then be curator at the National Gallery from 1948 to 1950.

Oil on canvas by Clarisse Loxton Peacock 1926-2004

Signed by artist, unframed

Dimensions: 76cm x 40.50

Edward Robert Hughes 1851-1914

Portrait of lady Henrietta Margaret Stanley 1881

Watercolour with body colour on card laid down on board.

Framed size 520 x 430mm

Ronald Ossory Dunlop RA (28 June 1894 – 18 May 1973) was an Irish writer and painter in oil of landscapes, seascapes, figure studies, portraits and still life.

Rene Charles Edmund 1877-1960

Rene was celebrated for his realistic depictions of landscapes usually with large amounts of water. He used large canvases as seen here.

Oil on canvas, signed by artist bottom right

Dimensions in frame as seen: 187cm x 139cm

Contact us: lucy@ramsayonline.net

Amy Watt 1900-1956

Born in Devon, Amy then went on to Central St Martins where she met her husband to be John Miller Watt. In 1923 they married and moved to Dedham, Essex where they built a house and studio together looking over the beautiful Dedham Vale. Close neighbours who became great friends Alfred Munnings and his wife Violet spent a lot of time together. They would sketch together and share ideas, showing art all over Suffolk and Essex.

In 1935 they moved to St Ives, Cornwall where she produced works which she later showed at the Royal Academy and the Salon Paris. Her final days spent in London, 8 Walton Street.

This is picture is typical of Amy, using a sense of colour and design that was self assuredly modern, yet works on traditional lines. Its strong, vibrant, a celebration of a still life!

Sydney Maiden 1893 - 1963

‘A Boatyard’ signed and dated 1959

Oil on canvas

Framed Dimensions: 61cm x 74cm

A Pair of early 19th Century coloured copper engraving) by Bovinet and Sellier after the drawing by Chabrol and Joumard from volume 4 of the Description de l'Égypte . The Description de l'Égypte was the first scientific survey of all Egypt, from its plentiful antiquities to its acres of agriculture including language, music, costume, and natural history. At the time of publication, the Description de l'Égypte was the largest printed work ever produced. Its influence was enormous, establishing Egyptology as an intellectual discipline and nurturing a passion for Egyptian art throughout the Western World.

Dimensions: 100 cm x 65cm

Basilius Besler 1561-1629

A well known botanist and apothecary of his time when herbal medicine was incredibly important. In 1611 he was employed by the Bishop - Prince to document his garden in Bavaria which was the first of its kind. It was in fact the first botanical garden in Germany and the only one at the time outside Italy. Besler spent the next 16 years recording each flower to create ‘Hortus Eystettensis’ a celebration of botanicals. As the legendary 18th Century Carl Linnaeus described it:

‘The finest treasures of botanical literature, incomparable work’

We have six framed at Ramsay. Please get in touch for more info.

Dimensions: 77cm x 65cm

Joan Miro 1893 - 1983

4 engravings with aquatint from a limited edition of 165. Printed on wove paper and published in Paris in 1976. Signed and numbered by the artist on the justification plate.

Unframed. 670 x 440mm

To be framed.

British School, 20th Century A. Paul

‘A Barn’ Dated August 1930 and signed A. Paul

Oil on canvas

Framed Dimensions: 49.5 x 59.5cm

Gustave Colin, 1828 - 1910 French. Wild Flower Meadow.

Colin was an impressionist artists who was best known for his landscape and portrait paintings. Exhibited at the Paris Salon in 1857 he spent much of his life near Biarritz.

Oil on canvas in Gesso frame with some gilding.

Framed size 101 x 85cm

‘Grasshoppers’ by Eric Woodward (20th Century)

Signed and dated by artist 1955

Wax Tempera on board

Dimensions Framed: 39cm x 75cm

Henri Matisse

‘Jazz’

Set of 6 Facsimiles published in Paris 2005 edition of 1300, facsimile of his 1947 edition.

Framed in a painted charcoal frame

Framed Dimensions: 68cm x 47cm

Georges Braque (1882 – 1963) was a major 20th-century painter, collagist, printmaker and sculptor. His most important contribution to History of Art was the role he played in the development of Cubism

Between 1908 - 1912 his work was very closely linked with that of his colleague Pablo Picasso. There Cubists works were indistinguishable for years, yet Braque was always slightly overshadowed by the fame and excitement around Picasso.

This set of 9 is a wonderful example of the unmistakable talent that Braque had.

Jean-Gabriel Domergue was born in Bordeaux, France on March 4th, 1889.

An extremely  precocious painter, Domergue exhibited works at the Salon Des Artistes Français  in 1906 at the young age of seventeen. In 1913, he was awarded the Second Prize of Rome and went on to win the gold medal award in the 1920 show. He then began showing outside the exhibition.

Having first been recognized for his landscapes, Domergue invented a new type of woman: thin, airy, elegant, with a swanlike neck and wide seductive eyes which gaze upon the world with longing.

"I invented the pin-up" he later claimed.

He went on to paint approximately 3,000 portraits, he played an essential role in the evolution of fashion in his era.

The female figure became airy, sparkling and effervescent like Champagne bubbles laying the ground in his own way for the feminine revolution which began in the next decades. No one can remain unaffected when gazing upon such gaiety and sensitivity portrayed by the subtle style of his stroke.

We have many more in the gallery which can make up truly unique sets in whatever frame you want.

Either click 'Make an enquiry' below or see the bottom of the page to find out more.

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We work closely with this artist and he has become a friend who has worked with us for almost 30 years. Each commission is carefully thought out all using watercolour as the main medium on a large scale as per these botanicals seen below.

Framed by Ramsay in painted f&b frame.

Re Strikes from Nineteenth Century Japanese Irises fsrom the Yoshimoen Garden. Originally Published Tokyo 1890.

17 are available

Approx framed Dimensions: 37cm x 48cm

Get in touch for more info.

Balthazar Solvyns 1760 - 1824

These plates are a description of the manners, customs and dresses of the Hindoos. Published in Calcutta 1796 - 1799. The paper, colouring, titles and printing technique are all very Indian in quality. Solvyns was widely regarded as an artist and was painting India and Indians at the same time as Thomas and William Daniell, Henry Salt, Fraser, Colebrooke amongst others.

Framed Dimensions: 103cm x 103cm

Philip Connard RA 1875 - 1958

Oil on canvas, signed by artist

Framed Dimensions in hand gilt frame: 61 x 72cm

Connard was well recognised for his decorative landscapes and still Life’s (this being an impressive example). He started as an interior painter and part time studies at the Royal College of Art later gaining a scholarship and in 1898 won a British Institution Prize which took him over seas to Paris.

WWI Connard fought in France reaching to the rank of Captain before being invalided due to severe shell shock. He was then appointed an official War Artist (some can be seen at the Imperial War Museum).

Later he was a number of important decorative commissions such as murals at Windsor Castle and his work today can be seen at the Tate, Musee d’Orsay, National Gallery and The Royal Academy.

Deborah Jones 1921 - 2021

A pair of oils both signed by British born artist Deborah Jones. Jones had a huge following from Hollywoods A list including Cary Grant who bought every single piece in her 1973 solo show in London. Frank Sinatra was also a big collector.

Dimensions: 92cm x 68cm

‘Looking out the window with a view of St Ives’

Oil on canvas, signed and dated 1934

Hand gilded frame

Dimensions framed: 40cm x 50cm

Jane Treays is an award winning documentary filmmaker, whose work over 30 years includes Inside Claridge’s, Extraordinary Families, and The Queen’s Green Planet. Jane always took her sketchbook and paints on location, sometimes creating painteddiaries of her travels.

In Lockdown, with nowhere to go, she picked up her watercolours full-time, capturing interiors and her garden before one day deciding to cut her up her work to create collages.

The vases in these collages can all be found in Jane’s home in Dorset, and she has grown many of the tulips and dahlias in her garden with the wildflowers handpicked in Cornwall.

Each piece involves sketching with pencil, penning with ink and then watercolourbefore being cut up and arranged against a background of wallpaper or handpainted paper. It’s an entirely home grown process of creation.

All in beautiful bobbin frames

Henri Lebasque 1865 -1937

Critics referred to him as the painter of ‘ Joy and Light’

Set of 7 Re strikes from original hand coloured lithographs, published in Paris in 1925.

No 276 of the edition of 500

Sizes from 300x 250 to 400 x 300

Paper size all 580 x 450

After Picasso, the boards of Verve. 1954

52 x 42cm

Virginia Cayzer

Virginia (b.1990) works in a variety of mediums but mainly watercolours as seen in these botanicals. Having trained at the Charles Cecil Studios in Florence and completed her BFA at Parsons School of Design in New York she is now showing four beautiful pieces with us at R A M S A Y.

Watercolours on paper.

A pair of foxgloves

A pair of Provencal Cardoon’s

Paper size 56cm x 76cm each

Framed by R A M S A Y in a handcrafted white gesso frame with green spacer.

More info: lucy@ramsayonline.net

Pablo Picasso 'Papiers Colles' 1910 - 1914

Portfolio with 10 lithographs in colour.

Jean Cassou. Au pont des arts, Paris 1966. Limited on 300 numbered copies.\Loose as issued, in beige cloth folder with brown corners and spine, and tie strings.  Printed on grand Veline de Rives paper. Six of ten lithographs are signed on the stone.

The portfolio present a collection of 10 lithographs in colour, reproducing 10 Picasso paintings, drawings and collages created between 1910 and 1914, which were donated to the Musee National d'Art Modern, in Paris, by Marie Cuttoli-Henri-Laugier.

Picasso collaborated actively with the production of the portfolio, and composed especially for this edition, a collage for the frontispiece.

These look fantastic as a set and can be framed by us.  

For more information please press 'Make an enquiry' or see the bottom of the page.

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Bernard Cathelin 1919 - 2004

Screen prints, signed and dated by artist

Unframed Dimensions: 90cm 62cm

Manolo Blahnik’s superb shoe designs including his renowned designs from Sofia Coppola’s film Marie Antoinette.

Lots to Choose from in the gallery and can be framed either as shown/ individually/as pairs or even larger.

Framing by RAMSAY

Lucinda Oakes

Watercolours of Chinese Junk Boats

Dimensions unframed: 76cm x 56cm

Signed by artist

POA

This folio is a fun and lively illustration of pre war fashion with eccentric hats, dresses and full of high society ladies of there time.

Georges Goursat, or SEM (1863–1934), was a well known French artist during the golden age of illustrated magazines and newspapers.

He famously drew caricatures of his contemporaries, published in newspapers. He would attend fashionable events in casinos, horse races and Parisian cabarets and restaurants, rubbing shoulders with high society all the time, which became his favorite subject as illustrated in this fabulous folio.

Dimensions : 47cm x 53c.

‘Folly’s’ by Lucinda Oakes

Framed Dimensions: 40cm x 32cm

Born in Russia, Sergei Bender  initially trained as an architect before studying art.  In the past few years, he has begun producing large watercolours on paper as seen in these images.  He is available for commissions through Ramsay.  Please press the enquiry button for more information.

His set of Tulips make a beautiful set and can be framed however you like.

Either click 'Make an enquiry' below or see the bottom of the page to find out more.

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Beautiful ‘Study of Lemons by Sophie Newnham

Carolyn Sargeant is a British artist b. 1937-

‘Pansies and Wallflowers’; Oil on board, signed with initials and dated ‘92

Dimensions Framed: 25.5 x 33cm

‘Meadow flowers in a blue and white jug’; oil on board with a sketch of a house on reverse. Signed and dated ‘77.

Dimensions Framed: 36.5 x 31cm

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Pair of Cockatoo's.

Oil on Gold Leaf.  Hand crafted.

39cm x 30cm

Price: £1,900 each

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Ken Howard RA NEAC OBE

Oil on Canvas

Dimensions framed as seen: 74cm x 63cm

A very example byKen Howard, noticeably it is signed here ‘J.K Howard’ (his full name is James Kenneth Howard) which he only used very early on in his career.

Paul Cesar Helleu 1859 - 1927

Charcoal and sanguine on paper Signed.

Portrait of Louise Cheroot 1866 - 1955

She was one of the finest couturiers of her generation, the first woman to control

a major French fashion house.

She was the subject of numerous portraits by Helleu, also his mistress

John Hitchens Born 1940

Oil of Sussex Down, dated 1964 and signed right hand side.

Marie Howet 1897 - 1984 

25 Impressions of Mediterranean views.  Preface by Gustave Hahn, 1927.
More photos available upon request

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Set of 12

Rare 18th Century Engravings of English houses as listed below

Framed Dimensions: 24.5’width x 22’ height

Houses Included in the Set of 12

Nibley House

Highnam Court

Bibury

Rendcomb Park

Battesford

New Mills

Barrington Park

Wallsworth Hall

Berkeley Castle

Williamstrip House

Lydney Park

Sandywell Park

After Pablo Picasso (1881 - 1973)

Faunes et Flore D'Antibes, Au Pont Des Arts, Paris, 1960

Pochoir* plates, on watermarked Arches paper.  Loose as issued, from a total edition of 300 plus 50 H.C. (or presentation) copies This is no. 38 of H.C copy.  These were executed by Daniel Jacomet in close collusion with Picasso.  The original works were created by Picasso in 1946 and are part of his joie de vivre series of paintings 

These can make up a great set.

*Pochoir - French for stencil.  This is a highly evolved and refined technique for applying water colour, gouache and other mediums through a series of stencils.  Jacomet was considered one of the great masters of this technique.

Either click 'Make an enquiry' below or see the bottom of the page to find out more.

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Nicolas Robert (1614 - 1685)

Hand coloured engravings from Nicolas Roberts 'Variae Ac Multifonum' species also titled 'Recueil de Fleurs'.

Dimensions unframed: 35cm x 26cm

Please press 'Make in enquiry' or see the form below.

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Georges Goursat (1863–1934), known as Sem, was a French caricaturist during the Belle Epoque.

Born into a wealthy French family many of his albums were self published and many of the people characterised are famous people of the day.

At Ramsay we have a collection of SEM which can be framed in any style that suits you.  Please enquire as we have many more in our draws to make a great set for any room you want.

Either click 'Make an enquiry' below or see the bottom of the page to find out more.

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'Lord Humbug in Africa'

Copies from an original Folio dated 1920 by Skizzen Tagebuch.

Please press 'Make in enquiry' or see the form below.

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Victor Pasmore was born in 1908 in Surrey, England.  Educated at Harrow where he first became interested in art being introduced to French Impressionism and British watercolourists such as Turner.

A change happened in 1929 when he discovered the revolutionary school of Art in Paris where he painted under the influence of different styles such as  Gauguin, Van Gogh, Matisse, Braque and Picasso.

In 1959 Victor was awarded a CBE and later appointed a trustee of the Tate Gallery, London.

He held numerous solo exhibitions across the world, one of his last being at the Serpentine, London in 1991.

Screen prints, 1972

Please press 'Make an enquiry' or see the form at the bottom of the page for more information.

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British Fresh Water Fish

By the Rev W. Houghton of Shropshire.  A set of coloured fishes illustrated by AF Lydon.

These are charming as a set and can be framed however you would like.

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Jean Barbault 1718 - 1762

Series of engravings of Views of Rome, Published in 1763.

Dimensions: 46.5cm x 59cm, unframed.

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Nevison Arthur Loraine (British, 1863-1934)

'The circus'
signed 'NA.Loraine' (lower right)
oil on canvas 
76.5cm x 120cm  

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Drawn 'on the spot' by I, Clark.  Published in London by Smith and Elder in 1824.

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Mes dessins d'Antibes. Avant-Propos de Georges Salles. Au Pont Des Arts, Paris, 1958.

Portfolio of 16 lithographs, on Arches paper, from an edition of 300 numbered copies plus H.C (or presentation) copies containing an additional pochoir* plate. The portfolio also includes title, text and justification; all sheets, loose as issued, they are guarded in the canvas folder with title and reproduction of the artist's signature in red. The series "Mes dessins d'Antibes" of sixteen lithographs on velin d'Arches pur Chiffon (by Daniel Jacomet) represent the ancient Greece of Antibes, Antypolis. Published in Paris during 1958, this work reproduces the magnificent original Picasso drawings of 1946. Here Picasso utilized possibly for the first time the lithographic technique, reproduced here almost in monochrome to recreate the austere mythological interaction of the Centaur, the Nymph and the Faun, a constant theme in Picasso's post-war period. Size: 65 x 50 cm. 

They are excellent as a set and can be framed in any style you choose.  

*Pochoir - French for stencil.  This is a highly evolved and refined technique for applying water colour, gouache and other mediums through a series of stencils. Jacomet was considered one of the great masters of this technique.

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SOLD

‘Puppies with a cricket’

Framed Dimensions: 81cm x 70cm

Briton Riviere belonged to a family of artists of Huguenot descent. At the time of his death, no fewer than nine of its members, spread over four generations, had exhibited at the Royal Academy. The youngest child of William Riviere (1806-1876), Briton was born in London but moved with his family to Cheltenham and then to Oxford, where amongst other things, he worked with his father on a commission to complete the Arthurian murals in the Union that D.G. Rossetti and his assistants had left incomplete in 1858. At the age of ten he exhibited his first pictures at the British Institution, and at eighteen he made his debut at the Academy. By 1876 was an associate of the Academy and by 1881 a full Academician.

Price: £4,000.00

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'A Dogs Meeting'

By Samuel Henry Alken 1810 - 1894

Oil on canvas in original gilt frame.

Dimensions framed: 87cm x 62cm

Will Topley was born in Hong Kong in 1959.  He paints interiors, landscapes and portraits as well as having had many commissions.

He is a member of faculty for the Prince's Drawing School in London where he teaches regularly.

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We have various equestrian pieces and from different periods.  If you are looking for anything specific please press 'Make an enquiry' to find out more.

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Maria Sibylla Merian, daughter of the German engraver and publisher, devoted herself to the study of European insects and there metamorphosis as a result of the wealth of tropical varieties being bought back by the dutch west indies Company.

Maria decided to visit the dutch colony of Surinam herself to study and paint the insect life there. She sailed with her daughter Dorothia in June 1699 from Amsterdam and remained in Surinam until 1701.  Her work gave 'an unpresidented glimpse of the teaming insect life of tropical south america with gorgeous butterflies flying around luxuriant flowering fruit or plants'

Many of the originial drawings from which these engravings are taken are in the Royal Collection

Reproductions of these prints are available on demand.

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Daniel Rabel

'Theatrum Florae' 1624

Daniel Rabel preceded Nicolas Robert by several years, and both are considered among the finest of the early flower painters.  Blunt once said of Rabel:

'Rabel is one of the miracles of early flower painting'

These can be coloured on request.

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John Gould (1804 - 1881)

Birds of Great Britain.

Published in London 1873

Hand coloured lithographs after Gould, Wolf and Richter.

We have many more 'Birds of Britain' at RAMSAY so please press 'Make in enquiry' or see the form below.

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Luigi Marsigli - 1658-1730

Engravings from the famous work from 'Danubius Pannonico'.  Published in the Hague in 1726.

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Dame Elizabeth Frink (1930 -1993).

A Series of etchings illustrating Chauser's canterbury tales with text and justification, signed in pencil on the last page.

Published 1972 by Waddington, London.

Dimensions unframed: 50cm x 40cm

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Mythology

Engravings by Johann Elias Ridinger, 1698 - 1767.

Scenes from The Garden of Eden.

Engravings, unframed.

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'Pair of Parrots' Oil on Canvas signed by Artist.

'Parakeet Playground' 32 x 60 inches/ 81cm x 165cm. Oil on Canvas.

Nicholas Pace studied Painting at Gloucestershire College of Art & Design and the University of London (Postgraduate), for which he was awarded the Elizabeth T. Greenshields Scholarship for Representational Art.

As a postgraduate student, Pace was invited to join the Education team at the National Gallery, London, as a Freelance Lecturer.

Whilst painting and exhibiting his work, he also pursued a professional acting career, which spanned ten years. 
During this time, as Creative Director of Yellow Chair Productions, he wrote, designed and performed stage productions based on the lives of great painters.

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'The Garden of Eden'

Engravings by Johann Elias Ridinger, 1698 - 1767

Scenes from The Garden of Eden.

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Maps of England.

By Greenwood and Co. 1831

Dimensions: 80cm x 67cm unframed

These can be framed by RAMSAY in a simple wood frame.

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Domenico Amici

Views of Italy: 'Souvenirs de Voyages'

1853

Each plate is variously dated in the plate impression 1832/47 but mostly 1830s,  Please press 'Make in enquiry' or see the form below.

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Francois Nicholas Martinet was born in 1725 - 1804 and was a famous artist and engraver during 18th Century.

These are a series of hand engraved birds.  They include a spectrum of birds both native to Europe, as well as from more exotic locales in Asia and America.  Among the species are hawks, eagles, blackbirds, woodpeckers, as well as tropical birds such as toucans.

They look great as a set and can be framed by us by us!

Cathleen Mann (1896-1959)

Attended Slade School of Art and was the daughter of Harrington Mann.

Exhibited at Le Fevre and The Royal Academy

André Dignimont (1891-1965) was born in France and the sone of a Wine Merchant.  He lived in Monmatre and was great friends with other artists such as Jean - Gabriel Domergue and Louis Marcoussis

His career spans four decades covering landscapes to nudes in many different mediums such as watercolours, prints and drawings.

Dignimont was also very well known for his illustrations (newspapers and magazines of the time and set designs.

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Lindy Guinness (also known as The Marchioness of Dufferin and Ava) had a remarkable training that included studying at The Slade with Oskar Kokoschka and painting with Duncan Grant.  Based in Ireland where she has a large studio, she has worked with a number of other Irish artists and has had a series of solo exhibitions in London, Paris and most recently in Italy at The Castello di Reschio.

Lindy Guinness: Four pastels of  'Mediterranean scenes' each signed by artist and framed.

Frame: Moon Gilt frame

Dimensions framed: 67.5cm x 92cm

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Thomas Sidney Cooper - born 26th September 1803 - 7th February 1902 was an English landscape painter noted for his images of farmyard animals.

These are lithographs depicting typical farmyard scenes with donkeys, sheep, cows and horses.  

Dimensions: 53cm x 34.5cm, unframed

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Rolf Gerard (b.1909).

These decorative lithographs printed in colours, each signed in pencil, on Arches paper, published by Fernand Mourlot, Paris.

They look great as a set!

Sir William Nicholson (1872 - 1949) was a very famous English artist who was known for his unique style of woodcut prints.  He famously produced a woodcut print for Queen Victoria in 1897 which helped establish him within British society at the time.

It was during this time that Nicholson produced an 'Alphabet series' for publisher William Heinemann.  They were originally issued in a small run of coloured woodcuts, consequently their popularity led to the images being transferred to lithographic stones and printed in a bound volume.  These are great as a present or set and can be framed however you would like.

We have all the letters from the Alphabet from A-Z.

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Nicolas Huet 1770 - 1830 - Set of 12

Dimensions: 55cm x 49cm framed

Nicolas Huet, the son of Jean-Baptiste-Marie Huet the Elder, was the official painter for Empress Josephine’s Musée d’Histore Naturelle et de la Ménagerie. He specialized in painting, drawing and engraving animals and plants.

Empress Josephine had collected a great variety of exotic animals and plants for her Ménagerie at Malmaison. Some animals, like the group of lions, that were given by the bey of Tunis or were brought back from scientific expeditions, were considered too ferocious for Malmaison and its cheerful and placid atmosphere and were kept in the Museum d’histoire Naturelle. Thanks to the extraordinary documenting of all the animals we are well informed about their daily life and circumstances. 

The engravings was excuted by Lambert Frères after the drawings by Nicolas Huet. 

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These Edwardian cartoons are excellent as sets and typically English, the perfect present for someone interested in hunting.

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Emily Beatrice Bland (1864 - 1951) was born in Lincoln in 1864 and studied at the Lincoln School of Art.  Emily has a few pieces which are in the permanent collection at The Tate Gallery.

This is the only piece we have at RAMSAY.

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George Henry Mason

Costumes and professions of China, published in 1800 in London.  Series of hand coloured engravings.

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